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Monday, May 14, 2007

Everyone Else Who Enjoys Being Astonished

What appears below is part of an old brochure for Mystery Park, an "amusement park" in Interlaken, Switzerland that is dedicated to crackpot theories. Kristen and I passed through a few years back, took one look at the brochure and quickly decided not to go but to instead laugh at Mystery Park and its adherents. I kept the brochure because the address of the founder — a cardio emergency of a man named Erich von Däniken — was especially hilarious.

Seriously, this was apparently the best photo they could find, even with the bolo tie askew.



It's not exactly a face that elicits my trust. Here is the letter to potential visitors that so tickled me. My favorite phrase — which I would guess arose from a rough translation — became the title of this post.

mystery_park_text

And then there's an image of what I assume is people building the pyramids, only it looks like it was created on a Nintendo 64.

Finally, a quick Wikipedia check on the park indicates that it is the subject of some controversy. Dubbed "a cultural Chernobyl" by a member of the Swiss Academy of Sciences, the park drew ire from science-types for von Däniken's allegations that aliens are responsible for various human triumphs, like the Nazca Lines. Also, it's currently closed, due to financial problems. I'd guess too many people saw the brochure.


Click on the image above for to open a full scan of the brochure.

Saturday, May 12, 2007

Top Ten Band Names (Had I Talent)

Subject to change without notice.
  1. Eldest Daughter Sondra
  2. Drew Mxxxxx and the Macaroons
  3. Team Water
  4. Creamo and the Creampuffs
  5. What's In My Eye!
  6. Alphonso van Floof
  7. Drewbot Mackietron
  8. Pinchface
  9. Boo Boo Tannenbaum and the Dysfunctional Glass family
  10. Eaten by Mummies
Bonus eleventh: All-Jade Lunch Service

It Gets Ugly

As a forewarning, I'd like to state now that this post features more ugly than a high school colorguard halftime show. Proceed at your own risk.


The rather tragic woman depicted above this text is Beatriz Pinzón Solano, the title character in the former Colombian telenovela, Yo Soy Betty, La Fea. It translates to "I am Betty, the ugly one." I don't watch the show's American incarnation, Ugly Betty, but I have a passing familiarity with it, mostly through poor America Ferrera's connections to terrorism and thievery alleged by faulty image-pulling mechanisms in Google news searches for "Santa Barbara." Looking into the show, I've been thoroughly amused by the literal translations of Ugly Betty's various permutations. That, plus what horrendous features different countries cobble together to make what they think is ugly.

The first nation to rip off the show and make it their own kind of ugly is India, who dubbed it Jassi Jaissi Koi Nahin. The translation: "There's nobody like Jassi." Let's hope not.


In Israel, it's Esti Ha'mechoeret — ir "Ugly Esti." I can't help but to read that long, apostrophed Hebrew word as "hatchet-faced."


In Germany, it's Verliebt in Berlin, which makes no remark about it's protagonist's nuclear disaster of a face but apparently is a pun that can translate to either "In love with Berlin" or "In love in Berlin." Also, she's ugly, though not quite as ugly as her international counterparts.


In the former Soviet Union countries, the show was called Ne Rodis' Krasivoy, or "Be Not Born Beautiful." I'm not clear whether that's a command or just good advice.


The Turkish Sensiz Olmuyor translates to "Won't Work Without You." That's not funny. However, the fact that the lead ugly's name is "Gönül" that makes me laugh. Even more ugly-sounding: the actress's name, Özlem Conker, the sound of which strikes my ears like battering ram.


Not to be outdone by the original Colombian series, a Mexican network made its own version,
La Fea Más Bella, or "The Most Beautiful Ugly Girl."


The real prettiest ugly girl, however, would have to be the woman playing Lotte Pronk, the Dutch version of Ugly Betty. Literally, this character strikes me as not ugly in any manner whatsoever, save for a slightly out-of-date mop of Shirley Temple ringlets. Lotte's show is simply called Lotte — not Ugly Lotte, not Lotte With the Thing on Her Neck, not Lotte Has Orthopedic Shoes. I guess the Dutch are really such a fantastically beautiful people that Lotte is as ugly the best attempt at ugly they can put forth.


Spain too put forth a verion of the show, Yo Soy Bea. According to Wikipedia, the title is a pun. Bea's name sounds like either bella or fea, depending on whether she's wearing those goddamn glasses or not.


And finally the clear winner in the ratty hair and caterpillar eyebrows department, we have
the title character of the Greek series, Maria, i Asximi, or "Maria, the ugly one."


And an honorable mention in the ugly race: the translation of the Japanese name for the original version Betty, Ai to uragiri no hishojitsu, comes out to "Betty, love and betrayal secretarial office," which perhaps gets more to the point than anything any other country has put together on the subject.

Wednesday, May 9, 2007

Late Night Creepy

Staying up late at the end of a hot day — when the wind has just kicked up and set all the doors in the apartment complex to ghostly simultaneous slamming — is not the time to fact-check an article on the military industrial complex and recall that the first three nuclear bombs ever made were called Trinity, Little Boy and Fat Man. I've known this since junior high, but I've never realized the odd Christian theme underlying the three names.

I should sleep.

Tuesday, May 8, 2007

Fun With All Night Nippon Super Mario Bros.

One of the best parts of Nintendo8.com is that it allows gamers to experience games they never had a chance to. Ones their parents wouldn't buy for them, ones they were too embarrassed to own and games that never made it outside of Japan. The one Mario-related title up so far is All Night Nippon Super Mario Bros., a game I had heard about before but never bothered to download for any previous emulator.


All Night Nippon Super Mario Bros. is a retooling of the original Super Mario Bros. engine. In addition to some graphic substitutions, the stages play differently — a mix of the original levels, ones from the arcade game Vs. Super Mario Bros. and the Japanese Super Mario Bros. 2. All Night Nippon was a popular Japanese radio program in the '80s, and Nintendo apparently made the game in 1986 for the show to raffle off as a promotional gimmick.

i'm led to believe the japanese text in the logo would say
"all night nippon." to be honest, it could say anything.

Cool, I'll admit, though it makes sense that the game stayed local, since the celebrities making cameos are virtually unrecognizable to a non-Japanese audience. (It bears mentioning, however, that Ninety-Nine, the comic duo responsible for the Hot Mario Bros. ad campaign work for All Night Nippon, though they began there after this game was released.)

Case in point:


Hello Mr. Goomba. But wait! You're no Goomba at all. You're... a strange bald man with sunglasses and no torso.

Some levels are more-or-less like the original. Level 1-1 plays fairly familiarly, with the most immediately noticeable changes being cosmetic. It's night — All Night Nippon, after all — and the background sprites are from The Lost Levels. In short, Nintendo slapped a face on anything they could. For those only familiar with the regular Super Mario Bros., the items will seem strangely placed.


Unless my memory is failing me, that should be a Fire Flower popping out of that question box, not a Starman. And when I say Starman, I mean six-pointed Star of David. Don't doubt the power of Judaism in the Mushroom Kingdom.

Not everything has changed, however.


The flag the arised from the end-level castles now bears the symbol of the Fujisankei company, which owns Nippon Broadcasting, which in turn features All Night Nippon. The Mushroom Kingdom's entry on this game notes that Fujisankei also owns Fuji TV, which developed Doki Doki Panic, which became the American Super Mario Bros. 2. Gotta love that product placement.


There are some irregularities. For example, it's daylight at the beginning of Level 1-2, but night again when Mario emerges from the sewers.


Down below, you'll notice that the Piranha Plants have been replaces with more sunshades-wearing mystery celebrities. Creepy, actually. Also, the blue-toned Goomba replacements look like skulls.


Little else is all that different, however. The axe that for whatever reason keeps the Bowser bridge intact is now a larger version of the Fujisankei logo, which makes as much sense as a bridge stabilizer as an axe, I suppose. Also, the Frujisankei logo looks like a stylized, lashed version of the CBS eye.


Most troubling: I was led to believe that this title has Mario rescuing All Night Nippon personalities in lieu of Mushroom Retainers and Peach. No dice, it seems, at least with the version posted at Nintendo8.com. I've seen this screen before.


The entry for this title at Nintendo Database has the proper line-up, which I've stolen and re-posted here so you can imagine what rescuing unknown Japanese celebrities would have been like. Fun crew, it looks like, and more chromatically varied than Peach and the Toad crew were in the game's original iteration.

image property of nintendo database

Another small change evident in Level 2-1: The mushrooms dotting the background landscape have been replaced with microphones.


And then my clumsy hands — which refuse to learn how to play video games using my computer keyboard — failed me. Level 2-4 is as far as I got.


No telling whether the glitchy character replacing the "v" in "OVER" is a product of the original game or me playing an emulated version.

A big notable change is the option of playing as Mario or Luigi, with the latter retaining his high-jumping, low-traction properties. Again, maybe it's a problem with the version posted, but when I selected "LUIGI GAME" I ended up still playing as Mario. Lean Green didn't take over until Mario died, and even then I couldn't convince him to move, I'm assuming because the keyboard that controls Mario is identified to the emulator as the controller for Player One. So Luigi just stood there, unmoving and alone until his timer ran out. Fitting, in a way.


All in all, I'm glad I played this footnote of trivia in Mario's history. It's neat the game was made, but now I can happily never play it again. As a free upgrade for those who purchased the original Super Mario Bros. on the Wii Virtual Console, however, All Night Nippon might be cool, if only to allow me to play it with a real controller.

Here's a YouTube clip of somebody who had better luck with it.



That's some poetry in the end sequence. I quote:

Peace is paved

With kingdom saved
Hurrah to Mario
Our only hero
This ends your trip
Of a long friendship

I'm assuming the end of the "trip of long friendship" mentioned is a reference to Luigi, who surely got his moustache out of joint when he heard the celebratory poem referred to Mario as "our only hero."

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Sunday, May 6, 2007

Eels in the Photo Booth, Part Two

In reference to the previous post, Spencer Googled "eels in the photo booth" and found Photobooth.net, a website devoted entirely to the phenomenon of people crawling into these weird machines and having their picture taken. The site catalogues instances of photo booths appearing on television shows, including the recent episode of The Simpsons in which Lisa is attacked by eels while trying out a one at a run-down shopping mall.

The evidence:

simpsons_photobooth

Because the site is fairly comprehensive, it also includes a personal favorite: the photo booth sheep attack from Arrested Development.

tobias_photobooth

Come to think of it, despite that Arrested's film strip has five images and the one from The Simpsons has four, these so damn close I'd almost wager Lisa's attack is a reference to Buster's.

[ All images, of course, are property of Photobooth.net. ]

Tuesday, May 1, 2007

Companda


But not "Com-Panda."