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Friday, March 12, 2010

So Many of Us! So Many of Us!

When I got back from the New Zealand trip, I found that my backyard had once again been conquered by the bamboo, new belly-high shoots representing a second wave of the attack that I spent the better part of November hacking into submission. Now, upon having returned from New York, I see that the leafy menace has begun a third wave. It’s creepy. Some of the hardier shoots have even upended large rocks foolish enough to sit in the spots the bamboo wanted for itself. This personification is no mere literary technique. I believe that the bamboo has agency, an agenda, and every intention of blasting apart my house from the floor up. We’re powerless to stop it.

bamboo_shoot

Every time I step into the backyard, I think of Sylvia Plath’s poem “Mushrooms,” which, by the way, is the first non-nursery rhyme piece of poetry that I can remember reading and liking. Here, then, is that poem, in tribute to the bamboo.
Overnight, very
Whitely, discreetly,
Very quietly

Our toes, our noses
Take hold on the loam,
Acquire the air.

Nobody sees us,
Stops us, betrays us;
The small grains make room.

Soft fists insist on
Heaving the needles,
The leafy bedding,

Even the paving.
Our hammers, our rams,
Earless and eyeless,

Perfectly voiceless,
Widen the crannies,
Shoulder through holes. We

Diet on water,
On crumbs of shadow,
Bland-mannered, asking

Little or nothing.
So many of us!
So many of us!

We are shelves, we are
Tables, we are meek,
We are edible,

Nudgers and shovers
In spite of ourselves.
Our kind multiplies:

We shall by morning
Inherit the earth.
Our foot’s in the door.
(I make tributes in hopes that the bamboo will spare me. I salute you, new leafy lord and master!)

Creepy plants, previously:

The Plant That Gets Your Nose Out of Joint

Consider the nasturtium, the hardy flower that you’ve doubtlessly seen growing in gardens or, really, roadsides or vacant lots or anywhere else its seeds happen to fall.

nasturtium

It’s probably a weed to many picky gardeners, but it should be said that it’s an edible weed. You can serve the flowers and leaves in salads. Their peppery taste makes them especially assertive greens — loudmouthed even. And it’s that quality that may have given the flower its name. According the Online Etymology Dictionary, it’s believed that the strong taste and smell gave rise to the Latin nasitortium, “nose twist” or “nose tweak,” from nasus, “nose,” and a form of torquere, “to twist.” Which is funny. I imagine the nasal twisting isn’t so much literal as it is simply the sniffer-scrunching that happens when stink particles enter the nostrils.

One small problem, though: The plant I’m talking about originated in South and Central America, so Pliny’s explanation for the Latin name didn’t apply to this particular plant until 1704. The original nose-twister and the rightful owner of the name nasturtium is a form of watercress. As far as I know, this plant isn’t as widely grown and therefore has every reason to resent this knock-off nasturtium that stole its name.

Edible etymology, previously:

Thursday, March 11, 2010

Less Intimidating Members of the Deadly Viper Assassination Squad

Recall, if you will, Kill Bill’s Deadly Viper Assassination Squad: Beatrix Kiddo (“Black Mamba”), Oren Ishii (“Cottonmouth”), Vernita Green (“Copperhead”), Budd (“Sidewinder”) and Elle Driver (“California Mountain Snake”). Presumably, had Kiddo not made good on the imperative stated in the film’s title, Bill could have extended membership to other murderers. He did, after all, lack the redhead and brunette needed to make a complete set.

Among available, though far less badass, code names:
Because I just rewatched Volume One on IFC, that’s why.


Above: the eyelash viper, unless you think it can’t possibly be intimidating.

Wednesday, March 10, 2010

The Saddest Story I Could Think to Tell

I’m at home.

Home, at the house I grew up in, means a lack of neighbors in the traditional sense. Other people do live near this house, yes, but not in the way they might in towns, where you can hop over in a minute and ask for a cup of water or a pound of sugar or a gross of bowling balls. (I’m not a cook and didn’t grow up anywhere typical, so the intricacies of recipes and neighbor-bothering escape me, you see.) However, it would be false to say that my family was isolated, strictly speaking. For example, cars pass by in the distance. (It’s more noticeable at night, when the headlights shine into my bedroom window from a mile away.) And also there are the animals.

sheep on the hill

The very young me assumed everyone grew up alongside such a variety of hoofed, furry, feathered, and clawed things. Why shouldn’t they? How could life be better in a place where you wouldn’t see herds of quail engaged in their polite little stampedes? And wouldn’t anyone be thrilled to spot a coyote in the summer, when their fur blends so well with the brown-gray brush in which they live?

I remember once noticing a fawn trapped on the wrong side of the fence in front of my house. It frantically ran up and down our edge of the property, while its mother did the same on the opposite side of the fence, her adult body apparently too big to squeeze through whatever hole that Junior had found — and then promptly forgotten about. By the time I walked down the driveway, the fawn was panting, too tired to run away from the scary two-legged thing coming toward it. Its skinny legs buckled and it just looked up at me. I did the only sensible thing I could: I scooped the fawn up — it didn’t fight me in the least — and lowered it over the fence. It eventually walked to its mother, and then the two just stared at me before slowly crossing over the hill and out of my sight. The interaction took only a few minutes, but I’m sure it shaped me, somehow, and probably for the better.

Interactions with the animals, however, were not always so pleasant. Watching a neighbor’s herd of sheep today reminded me of The Saddest Story I Could Think to Tell, as I refer to it. When I was an old child — that is, not quite a teenager but far from a toddler — my father decided that the two sheep we kept on the property, essentially as lawnmowers and firebreak-creators, should have lambs, as the experience of raising them would be a good one for my brother and me. Dad was right. However, only the twin lambs born to my ewe survived. The two lambs born to my brother’s ewe couldn’t have lasted for more than a week. I can very clearly remember coming home and seeing only the two ewes and the two black lambs moving in the grass. After a quick search, we found the two speckled lambs lying near each other and not far from their inattentive mother, their collapsed little bodies not visible beneath the level of the grass. “These things happen.” “It was probably the mother’s fault.” “She may have not been letting them drink milk.” If I remember correctly, my brother and I weren’t so much sad as disappointed — both in the apparent failure of the one bad ewe and the reduction of the total number of lambs from four to only two. My dad buried the lambs near the vegetable garden, where they joined the company of an Australian Shepherd, a rabbit, and a cat named Garfield that was neither fat nor orange.

The tragedy of the situation didn’t become apparent until the lambs were in the ground. Curiously, it was only then that the maternal instincts clicked on in the one bad ewe. At some point, she realized that she could not find the lambs she previously didn’t care about. Panicked, she raced around her pasture, calling out to babies that would never answer back. She probably had no clue that they had died. I’m almost certain sheep don’t understand death.

And that’s not even the sad part.

The “where are my babies?” despair continued into the next morning. I had fallen asleep listening to this very particular kind of bleating, and I wasn’t surprised that it had persisted through the night. Upon getting home from school the next afternoon, I found that the ewe was, at last, quiet. She was calmly eating grass and altogether behaving no differently than she did before she had lambs or while these lambs were dying. At the time, the very young me decided that she truly was a bad mother, as evidenced by the fact that she so quickly stopped caring about her missing lambs. Later on in my life, I thought back on this when I better understood how animals’ brains worked, and I realized that my initial conclusion was wrong: It wasn’t that this animal decided to stop caring so much as she simply forgot that she ever had babies and went stupidly, blissfully on with her life.

The English major spells it out: In a few ways, the story about the deer works as a thematic opposite to the one about the sheep. However, both affected me in a lasting way that I’m not sure I understand now or ever will understand. I’m tempted to say that the lesson doesn’t stop with animals and their young. On some level, I’ve opened these stories and pulled out from them something — a map? — that has given me some direction in life. I suppose I have to choice but to be grateful.

I will never again live in a small town and I will likely be moving soon to a large city. But I wouldn’t trade my childhood for any of the advantages a bigger city could have afforded the very young me.

Tuesday, March 9, 2010

The Saviors of the Universe Are Made From Clay

Scanned from the instruction manual for Secret of Mana: clay models of the three heroes.

secret_of_mana_clay

Neat and all, but I’ll never understand what drives a video game company to make promo images our of clay, since it’s probably the medium least appropriate for translating pixels into something three-dimensional.

Monday, March 8, 2010

Samara Morgan in Isla Vista

Something I’ve been meaning to do for a while: First, dig up that photo of my old college roommate passed out in the corner of the kitchen and bearing a striking resemblance to the corpse of Amber Tamblyn in The Ring. Next, put it right next to the original so as to accentuate how well she accidentally nailed it.

We had all seen The Ring and found scarier than the PG-13 rating led us to expect. I know I spent the night after I saw it trying hard not to think about the corpse of Amber Tamblyn, only to naturally think of nothing but. Later, after a party, someone woke up and went to the kitchen to get water. She opened the refrigerator door and the light from inside illuminated the room enough that she saw what initially looked like poor, dead Amber Tamblyn. Further investigation revealed Dead Amber to actually be another roommate, whose night’s activities had led her to believe that the kitchen floor would be suitable place for a nap. Of course, the event was photographed for posterity.

Here’s the corpse of Amber Tamblyn:


And here’s our roommate’s accidental rendition of it:


Brilliant, really. Oh college, how I miss you.

Sunday, March 7, 2010

Lost for Other Reasons, on a Different Sort of Island

I've been quiet. But I have a good excuse: For the first time in a while, I have neither time nor desire to sit in front of a computer and interpret the world through the words that come out of my fingers. Instead, I've been actually doing things, seeing people and making words with my mouth. More importantly, I've been doing so in New York, where there's plenty of things to be done, a seemingly infinite number of people to see, and so many words to make. (Big in that last category: “Excuse me” and questions beginning with the word “where.”) Today, however, is a cool-down day and my first real chance to think about the past week. Decisions must be made and I think my brain is slowly getting to a point that it can make them. Slowly. And definitely not in a manner that is conducive to the formation of words in the near future.

So in lieu of anything else, you get something that I'll throw together about Lost, a show that I've had a few opportunities to think about while in New York. It's occasionally a thematically appropriate show, despite my life's lack of smoke monsters. (So far.)

I actually had reason to think about Lost moments before I stepped out of the cab that drove me from the airport. In the show's first episode, the Losers hear the thing that eventually came to be known as the Smoke Monster. It crashes through the trees, all the while clicking and clanking and making all manner of machine-like noises that we don't usually associate with masses of air. One of the Losers, Bronx native Rose, notes that the then-unseen entity sounded familiar --- an odd comment that I don't think has ever been directly addressed on the show itself. The people who make Lost have admitted, however, that one of the noises incorporated into Smokey's repertoire of sound effects is that of a receipt printer as one might find in a New York City taxicab, hence Rose's familiarity. I'd heard this but forgotten it, until the moment my cab ride ended. And then bam! Lost, when I least expected it. Cue the signature Lost horn of alarm. Whaaaaaaaam! SURPRISING THING!

In explaining this little connection to Sanam, she one-upped me and admitted that she spotted on the subway a man who looked exactly like Ethan Rom, the creeper Other who tried to steal Claire's poor little island baby. (Further clarification: He's the one who looks like a melty-faced Tom Cruise, because he's played by William Mapother, who is Tom Cruise's melty-faced cousin.) Sanam managed to sneak a photo:


A striking resemblance, you must admit. Of course, given that someone recently stole all of Sanam's babies, it probably really was Ethan Rom. Whaaaaaaaam!