Okay, so a few things.
Why does the audience look so miserable? Okay, sure, the song sucks, but why would they go to this show in the first place?
Wait, was this actually East Germany?
Was attendance to the disco party compulsory?
Were they shopped in after the fact using so-called “green screen” technology?
Is there a song where the word dong gets mentioned more often?
I think Dina put it best when she attempted to comprehend how this thing came about: “Someone had to have written this down at some point. And then showed it to someone else. And then they recorded it.”
Another point for Dina: “Is she saying ‘Maybe it’s a bigot’?”
Is the whole point of the song to be constantly singing so you never feel sad? That seems like a poor plan, seeing as how no one will want to be your friend if you’re dinging dongs all day. I mean, she’s there singing this song on a microphone and no one in the audience looks remotely happy. WHERE DID SINGING GET YOU, LADY FROM TEACH-IN?
At 2:03, she attempts to make contact with one of the robots in the audience and my heart just aches for her, this lonely ding-dong woman from West Germany.
This is all. Go forth and ding all the dongs.
OMG, you have to hear this, but not because it’s good, previously:
- “Happy Song,” by Boney M, as well as other disco-based school invasions
- “I’m on Fire,” by Maggie Mae
- “You Bring Out the Savage in Me,” by Frances Day
- “Banana,” by Jane Chiquita
- “At the Same Time, You Are Crazy Mind, Crazy Mind,” by Daydream
- “The Swim,” by Little Nell
- “Les sucettes (The Lollipops),” by France Gall
- “Neon City 1978,” by Mistral