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Sunday, September 14, 2014

The Two Rebecca De Mornays

In the past month, I’ve posted a bit about various pop culture mysteries, all of which remain unsolved. But occasionally I get to the bottom of one.

Back in 2009, I wrote about a strange recurring joke Seinfeld has involving a woman who introduces herself as Rebecca De Mornay. She appears twice on the show. Both times she causes trouble, and both times she introduces herself using her full name. But as I explained in the previous post, there’s nothing about her that makes that name especially meaningful, other than the fact that it’s shared by an actress who looks nothing like her.

Here are both those scenes, back to back.


The original post gets a fair bit of traffic from people who happen to catch those reruns and then wonder, “Wait, did that lady just say her name was Rebecca De Mornay?” and just recently someone left a comment that inspired me to track down the writer of that episode, Spike Fereseten, and ask him.

Here’s the explanation.





And there you have it. It’s just a weird little joke that Seinfeld tossed off. It’s not some weird dig at the actual Rebecca De Mornay, who was maybe friends of someone on the show or who maybe ran over one of the writer’s dogs or something.

Which would have been interesting, you have to admit.

Weird, old TV, previously:

Thursday, September 11, 2014

Searching for Mr. Peepers

At the risk of alienating certain kinds nerds in an effort to talk to other kinds of nerds, I’ll just say this up front: This post is about Duck Hunt.

modified from sprites found here
“But Duck Hunt came out in 1984, Drew, you crazy idiot. Why bring it up today?”

And to that, I’d simply say that you’re not up to date on your video game news. Now who’s the crazy idiot? There’s been info floating around online recently about Duck Hunt, and before I go further, I should probably give a Smash Bros.-related spoiler warning. (I guess? Even though the game doesn’t have a plot to speak of?) But it looks like the dog from Duck Hunt will playable in the new Smash Bros. game, meaning that you can play as Mario or Link or Pikachu and then wail on the obnoxious dog who used to laugh at you for not killing enough ducks.

Oddly enough, the dog seems to be entering the fray in partnership with one of the ducks, suggesting that past sins have been forgiven.

via tiny cartridge
via tiny cartridge

But here’s the odd thing: A few different websites reporting this news point out that the dog is maybe, possibly, sometimes called Mr. Peepers. But for the life of me, I can’t figure out why this would be.

I myself noted this in a blog post back in 2009 about how there’s a special arcade version of Duck Hunt that allows you to shoot the dog. (WHO’S LAUGHING NOW, DOG????) But I stupidly neglected to source that information when I posted and am now unsure where I heard it. When I search around online now, I can only find Smash Bros. stuff and other people wondering how the hell anyone decided to start calling the dog Mr. Peepers — on Wikipedia and on GameFAQs.

The closest to anything useful I can find is this NeoGAF post. It’s just a simple link to a Nintendo World Report article about the development of the original Kid Icarus, and it only mentions the Duck Hunt dog once — and not by name. But there’s a few responses with people commenting how they were surprised to learn that the dog had a name, so I’d guess that the article edited out that info, for some reason. ‘ In any case, my post on the dog went up before the NeoGAF post and the Nintendo World Report article, but wherever I found the mention of Mr. Peepers is gone too.

So the question remains: Why the hell does anyone think the dog from Duck Hunt is named Mr. Peepers?

It remains to be seen how the dog will be named when Nintendo makes the official announcement about the character. As far as names go, Mr. Peepers at least sounds better that “that damn laughing dog from Duck Hunt,” and certainly better than how he seems to be labeled in the Japanese version of the new Smash Bros. — just as “Duck Hunt.” Maybe it sounds better over there?


EDIT February 27, 2015: I just game across this Gamespot article from 2006 that notes the dog’s name as being Mr. Peepers. Can’t say this is where I found it, but at least I know I wasn’t the only one under the impression that this was the dog’s name.


Nintendo obscurities, previously:

Tuesday, September 9, 2014

Big Hair, Big Trouble

I’ve made a mix. It’s for September. It’s not especially Septembery, but I suppose you can’t say it’s not a September mix. But if you’d like a peek at what music is informing my mental state, then this is the album for you.


I’ve also made album art. Go ahead and click it if you’d like to hear my selections. If you like them, you can right-click and save them, but I insist you buy the associated albums if you think the songs are worthwhile.

It’s very here and there, I know. It’s a good overview of what I listen to, but there’s no more solid throughline than “Oh, this is what Drew happens to be listening to nowadays.” Your mileage may vary.

Monday, September 8, 2014

“She Everywhere.”

I’m entering my third month of life in my new house. The move has presented me with a whole host of new experiences, new people and new ways I can hurt myself performing manual labor. And while I’ve learned a lot — don’t drop cement pavers on your big toe, for example — the biggest life lesson comes from the following short story.

One Thursday evening I was repairing some irrigation pipes in the front yard when my neighbor came by to make conversation with me. My neighbor is my new favorite person. She knows everything about my new neighborhood, and she relays this information — positive, negative, banal and bizarre — with the same inflection, as if she loves telling all stories, regardless of the content, and that none of her stories seem more or less strange to her than the other. They all have value. They must all be told. (In a similar sense, she also loves all colors equally, provided they look like ones you might see on some rare jungle flower, and I feel I don’t often enough see such chromatic boldness. You could learn a lesson from her, reader wearing head-to-toe taupe.)

One story had ended and another began with this sentence: “You know the house around the corner? The white one? With the pretty plants?”

I said that I did.

“Well, no one want to buy it when it for sale.”

The house is admirably done-up, and so I asked why anyone wouldn’t want to live there.

“The lady who own it before, she have no husband. And she out gardening one day, and she die back there. And, you know, no husband, so no one know. No one miss her.”

A shrug.

“And then they get her.”

I asked who “they” were. She seemed to search for the word.

“No eskunk… but the other one. You know…”

I guessed it was “raccoon.”

“Yes. Raccoon. The raccoon get her.”

I grew increasingly worried about the direction this story was taking, but my neighbor seemed unfazed by it. She looked as calm and pleasant as she might if she were just telling me about a neighbor who bought a lovely new hat or who maybe saw a blimp once. She continued.

“The police come and ask questions, ask if anyone hear anything. I tell them I hear nothing, and I ask what happened. They tell me they never see nothing so bad in their whole career. The raccoon, they eat her. They eat her for a long time. The police say ‘She everywhere.’”

This was a lot to have suddenly sprung on me.

“And so for long time no one want to live there, because that lady die there and that lady everywhere there. But then eventually, someone buy it. Two guys. No wifes. You know.”

I nod that yes, I do in fact know.

“And they move in and now it look beautiful. They make it such a nice house. But you know what?”

For this last part, she lowered her voice to a stage whisper.

“She still everywhere.”

And that, I suppose, is true, in both the metaphysical and literal senses.

Every night, when I see the English bulldog-sized mother raccoon skitter down the fence line with her two raccoonitos, I remember this story and remind myself that there’s a good chance all three of these have tasted people-flesh. I wonder how much of a difference they see between me and the unfortunate neighbor lady, who I did not get a chance to meet. And then I decide not to sleep with just the screen door protecting me from the rest of the world.

She everywhere.

Creepy stories, previously:

Thursday, September 4, 2014

Beware the Mighty Septopus

Please enjoy “Septopus,” the end credits song from the Home Movies episode “The Heart Smashers.”


No really, listen to it. It’s important for this story.

Way back when, the band Fleet Foxes was new. I actually remember writing the post back in 2008 about how the band’s sound was inspired in part by old RPG music, a fact that’s not especially evident just listening to their songs but that makes sense once you hear about it. I remember buying the album. And I remember a co-worker asking if I wouldn’t mind burning her a copy.

Now, I could have told her that I wouldn’t be complicit in her music piracy. I could have told her that she’d failed to follow through on several work-related favors I’d asked of her and, as such, I just couldn’t be bothered. Or I could have just said, “Oh no, I plan on turning into a lava monster any moment now, so you’d better run on home or I will catch you with my lava arms. Run! Never return! Lava arms!” or something thereabouts. But I said yes, with all these thoughts of unfulfilled requests and molten lava arms swirling around in my head when I got home.

When I got around to burning the album, however, I inserted one extra track: “Septopus.” I’d done this before. In college, a roommate asked me to burn the new White Stripes CD for her and I inserted the Clarissa Explains It All theme song about two-thirds of the way through, and it infuriated her because she’d always forget to skip that track and would consequently get blasted by the opening “Na na na na na.” I think it killed whatever mood she was trying to establish. “Septopus,” in the context of this strummy, harmony-laden Fleet Foxes album, however, seemed less jarring, and I was just curious to see what would happen.

The short answer? Nothing.

A few days after I gave her the CD, I asked how she was enjoying it. She said she loved it. She called the album peaceful and beautiful. “Any of the tracks in particular stand out to you?” I asked. She said a few did, but that she’d have to match them with the titles. I left it at that. I didn’t want to give her any reason to be suspicious.

I suppose it’s possible that she eventually transferred those tracks to her iPod and is still driving around today, blissing out on those gentle Fleet Foxes chords and, unwittingly, also on those of Brendon Small as he sings about a seven-armed octopus who is always eating pies. But I have a best-case scenario in my head as well, and that is this coworker one day attending a Fleet Foxes concert where she’s standing in the front row and in between every song break she’s screaming “SEPTOPUS! SEPTOPUS! PLAY ‘SEPTOPUS’!” at the top of her lungs, and then turning to the concert-goer next to her and saying, “I’ve seen these guys all over the country now and they freaking never play ‘Septopus,’ not even for encores.”

Regardless of how she finds out, I’m just sad I won’t be there when someone eventually tells her “Fleet Foxes don’t have a song called ‘Septopus.’ Also, what’s a septopus?”

Here’s the full Home Movies episode, in case it’s been too long since you’ve seen the show. I queued it up to Fenton’s performance of the Septopus song, which I now realized has lyrics that the “Fleet Foxes” version doesn’t.


And would you look at this: Fenton in the Septopus costume appears on Home Movies’ season four DVD box set, and I just now noticed.

septopus home movies

Wednesday, September 3, 2014

Pixelated Pornstaches and the Outer Limits of the Nintendoverse

It may not surprise you that I have a thing for lesser-known Nintendo characters. I blame Smash Bros., I guess, for reminding us with every edition of bygone franchises and protagonists that never saw a proper sequel.

Maybe one of the lesser less-known Nintendo titles ever would be Arm Wrestling, a spin-off to the Punch-Out!! franchise released only in arcades and, even then, only in those located in North America. As far as I know, this might be the first Nintendo-developed title never to see the light of day in the company’s homeland. I don’t know why it showed up here and not there, but I think it’s too bad. I remember playing this long, long ago and enjoying it. I even tried to find a port of it to the NES but couldn’t: Arm Wrestling never saw a second life on a home console.

Also working in the game’s favor is its appealingly oddball mix of characters. They wouldn’t be out of place in a Nintendo game today. Nintendo has, after all, stayed weird. I tried to see if any site featured large-ish sprites of Arm Wrestling’s opponents and couldn’t, so I’m just going to post them here.

First up: Texas Mac, a ripped, bare-chested cowboy with a Falcon Studios mustache.


By the way, like Punch-Out!!, Arm Wrestling featured two screens — one with the action and one showing the score as well as who you’re fighting. This second screen included a descriptor for each opponent, and Texas Mac’s was, strangely enough, “Stud-Horse.”


I think I know why he likes holding hands with other strong men.

Second: a sumo named Kabuki.


Before you accuse him of being a rip-off of Street Fighter’s E. Honda, know that Arm Wrestling came out six years before Street Fighter II. If anything, E. Honda ripped off this guy, but I’m not sure how common it is in Japan to see a sumo wrestler wearing face paint. Every town has one, I’d like to think.

Third: Mask X.


Billed simply as “Who?” he’s actually just Bald Bull from Punch-Out!!, wearing a mask for no discernible reason. You can even unmask him.

Fourth and by far the best of the group: Alice and Ape III.


Yes, you have to best one of the more tragically awkward little girls in video game history in the form of her hulking arm-wrestling robot. They’re billed as “Best Friends,” and I can’t tell if that makes me sad for Alice or jealous of her. And yes, if you squint right, she does look just a little bit like a later-generation Nintendo science whiz, Penny Crygor.

Finally, you must fight Frank Jr.


Frank Jr. gets no nifty intro text, because if you can’t tell who he’s supposed to be, you are culturally illiterate.

And so there you have it: classic but forgotten Nintendo characters who have zero chance of being playable in the next Smash Bros. game. But wouldn’t you want to play as Texas Mac if you could? Or as Alice, so you can take revenge on the society that has shunned you? (I’m just assuming but come on.)

All character images taken from this YouTube video save for “Stud-Horse,” which came from Wikipedia.

Obscure Nintendo, previously:

Tuesday, September 2, 2014

When The Simpsons Was Mean

In reading reviews of more recent Simpsons episodes, I've noticed more than a few people pointing out the show’s darker turns as being out of synch with the golden years — and perhaps more similar to Family Guy humor. I’m not necessarily sure this is true. Those old episodes have some dark moments too, and I’m not talking about the “Treehouse of Horror” installments.

(via)
“Homer’s Enemy,” the Frank Grimes episode and probably the darkest ever of the show, aired back in the show’s eight season. I guess it’s all a matter of perspective, but in general the dark humor doesn’t bother me. There’s even a seriously mean joke in “The Three Gays of the Condo” that I actually like. The family is putting together a giant jigsaw puzzle in the backyard, when Flanders looks over the fence.
Flanders: Nice puzzle, Homer, but aren’t you missing a piece?
Homer: Aren’t you missing a wife?
Flanders: Ho ho! Walked right into that one!
(Maude, by the way, has been a deceased character on The Simpsons for longer than she was a live character.)

There is one joke I’d pick out as the meanest-spirit one the show ever did. It’s one you have to know a little background info to appreciate, however, and it involves a little-known Simpsons character named Ricardo Bomba. A few years back, the show held a contest where viewers could invent a character, and the winning character would be featured on the show. In 2009, the winner was announced: Peggy Black, a Connecticut woman whose entry was Ricardo Bomba, a Latin lothario who would work with Homer at the Springfield Nuclear Power Plant.

In a New York Post article, executive producer Al Jean called the contest “a thank-you to loyal fans.” Black is quoted as feeling over-the-moon about the win. “It’s amazing to see how they captured what I imagined,” she said. “I’m going to be immortalized forever by making a Simpsons character.” The character was set to debut in a January 2010 episode, and to coincide with the airing, the show even posted a little behind-the-scenes video of Black discussing her creation with the show’s staff.

And then the episode aired. Here is Ricardo Bomba’s introduction to Springfield.



Yep, he instantly dies in a fiery automobile crash, never to be seen again. To be fair, Al Jean was quoted in that article as saying Bomba make a subsequent appearance, but based on the nature of his intro, I’m guessing he won’t.

There’s a part of me that feels bad about this. The contest winner seems like a nice person — she’s a radiation therapist at a cancer center — and I just have to wonder if they told her ahead of time, “By the way, we’re instantly killing off your character” or if she found out by watching the show. Then again, in the context of Jean calling it a thank-you to the longtime fans, it’s also a pretty good joke. It’s a seriously dick move, but not an unfunny one. Longtime fans, I suppose, are the very people who whine about the show online.

Hmm.

Ha. Ricardo Bomba didn’t even get to speak his whole catchphrase. That is funny.

The Simpsons, previously: