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Showing posts with label halloween. Show all posts
Showing posts with label halloween. Show all posts

Tuesday, October 29, 2013

Things That Go Bump in the Night / Give Me a Terrible Fright

Please celebrate the coming holiday by watching the video for the 1976 rock song “It Came in the Night,” by the improbably named band A Raincoat. It’s a good track — Dangerous Minds calls it “one of the most insanely catchy songs of all time” — but it’s fairly obscure. That’s too bad. It’s dark but fun, much in the way the animation used in the video treads the line between scary and funny. In short, it’s perfect for the spirit of Halloween. In fact, it should be the official anthem of Halloween. Enjoy.



The songs biggest claim to fame is being featured in abridged form in Kenneth Anger’s “Rabbit Moon.”


I’m not sure which makes for a creepier visual accompaniment.

Anyway, because I think it’s a song more people should know about, I’m posting it for your downloading pleasure. Click here to download.

Creepy, previously:

Wednesday, October 31, 2012

Lost Highway: One Last Nightmare Before November

Hi. It’s Halloween, unless you’re reading this in New Jersey.

As we get closer to celebrating dead saints as opposed to dead regular people, I find myself thinking about scary movies and what I’ve seen on screen that has frightened me most. My finalists range from things I only found scary because I was young when I saw them — the skeksis in The Dark Crystal, for example — to more legitimate scares such as the first time poor li’l Casey Becker sees the ghostface mask in Scream,  which literally made me choke on a piece of popcorn. I’m almost inclined to give the nod to the nurse scene in Exorcist 3, just because no one ever mentions how Exorcist 3 actually isn’t a terrible film. In the end, however, it’s the party sequence in Lost Highway that gets my vote. It’s not a scene that would make you jump, and I suppose some horror movie purists would watch it and not particularly find it scary in any traditional sense. I, however, find it to be horribly affecting.

Watch for yourself, and know that it’s violence-free, with only a single “f”-word to make it not technically safe for work:


Yes, the fact that the kabuki-faced man is played by Robert Blake, a former Little Rascal and a real-life alleged murderer, adds to the overall creepiness, but what I find so disturbing about this scene is the way it re-creates the sensation of having a dream but not immediately realizing that you’re having a dream. It’s a slow build. Pretend you’re the Bill Pullman character, hanging out at a party and making casual conversation with this stranger. He’s odd, yes, but nothing that’s happening is necessarily impossible, really, until he delivers the line, “As a matter of fact, I’m there right now,” in reference to the fact that he’s somehow both at the party and at Bill Pullman’s house. Pullman, of course, doesn’t buy it. Why should he? Surely, this creepy stranger must be speaking figuratively, but then Robert Blake goads Pullman to call home. Blake’s voice answers. Blake, who’s standing right before Pullman, is also answering Bill Pullman’s home phone number.

When I dream weird, I frequently don’t realize that I’m dreaming until the narrative goes completely sideways. It’s a relief, honestly, to suddenly understand that your subconscious is taking the lead, because any alternative explanation sets you on a far more disturbing path. But leading up to that point, there’s always a progression that works like this: “Okay. Okay. Okay. Wait, what? Wait — WHAT?! OH HOLY SHIT.” I’d imagine I’m not the only one who’s experienced that escalating series of emotions. And I think David Lynch — himself a big fan of delving into the unconscious and subconscious — does a fine job of committing that moment of mind-melting horror to film.

Of course, Bill Pullman’s character doesn’t get to wake up, but let’s not get into the plot details of Lost Highway.

Monday, October 31, 2011

Hell’s Bells

NOTE: Whoops. Thought I scheduled this for Halloween, but I now realized that I only saved it as a draft. Damn new Blogger interface. Late but nonetheless awesome, may I present a pitch-perfectly dark Disney short, the Silly Symphony “Hell’s Bells”?

 

Granted, there’s everything skin-crawly about the opening number, “Funeral March of a Marionette,” but was there ever a time when “In the Hall of the Mountain King” wasn’t creepy? Certainly, it being played on xylophones didn’t help.

(Via Monster Brains.)

Friday, October 28, 2011

Galactus, Destroyer of Fashion

I had my geek credibility called into question this week. My job has me writing about celebrity culture, whether I care about it or not. But this particular assignment didn’t bother me: Heidi Klum’s awesome Halloween costumes. Yes, the woman who doles out cutting insults on Project Runway with that unnerving sort of German jolliness. She has a quirky seasonal pastime, and it’s showing up her famous friends every Halloween. Last year, she donned a particularly elaborate costume, which she described as “an alien transformer.” Speaking as someone who prides himself on pop culture knowledge, I can say that that isn’t a thing, this alleged “alien transformer.”

Here’s the costume:


As you can see, she’s rocking stilt legs and not falling on her ass — an admirable feat on Halloween or any other day — but it’s curious the fact that her generically sci-fi costume is paired with that of her husband, Seal, who is obviously the Marvel Comics superhero Silver Surfer. Granted, it’s a loincloth-clad version of this character that’s not flaunting his bulge to the world in the way he did in the second Fantastic Four movie, but even a novice Marvel fan would be able to recognize his costume.

When I wrote about Klum’s 2010 Halloween, I noted this strangeness — the Silver Surfer posing next to some sort of vaguely alien, apparently non-Marvel entity, and looking more like a fiery-colored cousin to the alien diva from The Fifth Element than anything else. I, apparently, was wrong. People with keener eyes for comic references instantly recognized Klum as a female version of Galactus, Destroyer of Worlds. For comparison’s sake, please observe his in-the-book incarnations:




So I’m curious: How obvious is her costume to you, my geekily-minded readers? Granted, the side-by-side association with the Silver Surfer should be a dead give-away, yet it never occurred to me that Klum was an actual character and not some kinda-sorta hodgepodge that Klum arrived at by watching the middle of several famous sci-fi movies. Based on her description of her costume, she might not have realized that she was actually one particular thing instead of an original creation, but I suppose I should have.

What say you? Is it indeed all that obvious?

Thursday, November 4, 2010

Dong Dong! The Dong Is Dong

I’d been tasked with finding something snappy and blogable on Tuesday night, perhaps something election-related. Low on energy and ideas, I thought about how Christine O’Donnell had been shut down and jumped to the same association that a thousand other bloggers probably made: “Ding Dong! The Witch Is Dead!” from Wizard of Oz. MGM’s legal team being as fierce as you might expect, no YouTube clips of the movie’s version of the number were easily found. So I figured I’d settle. Then I found the brainmelt.


Reaction to the Del Rubio Triplets’ performance of “Ding Dong! The Witch Is Dead”: First my eyes bugged out of my head like a boy cartoon seeing an attractive female counterpart cartoon. Then they melted down my face. Then the rest of my soft tissue melted through the nearest face-hole. Finally: “Did she just say ‘I’m such a mean old jew’?”

I should also note that the results I got for some kind of official “Ding Dong! The Witch Is Dead” still turned up more appropriate content than my original search, “Dong Dong! The Witch Is Dead!”

I should also note that the Del Rubio Triplets once made a guest appearance on Full House as REM (Renee, Eleanor and Martha) and covered “Whip It.”

They were also on Golden Girls. They played “Neutron Dance.”


Um. They were also on Married With Children.


Not to pull another sitcom into this, but don’t they look like three Jerry Seinfeld’s moms? This all is kind of too much to deal with. But I can’t stop. Because it’s been that kind of day -- that’s why.

Monday, November 1, 2010

The Thoughts of a Too-Intelligent Dog Wearing a Halloween Costume

Why am I being punished? What did I do?


I am uncomfortable. It… feels so strange to walk in this thing. Am I being shame-paraded?

The children I see are being punished in the same way I am. They must have done whatever I did.

But if I’m being punished, why is everyone so happy to see me? Are they pleased that I got in trouble?

It must have been when I saw the squirrel through the window and barked and barked and they told me to be quiet and to get off the couch. That must be it.

Did the children bark at squirrels too? I wouldn’t put it past them...

But the children are getting children-treats and I’m not getting me-treats.

Do they know I’ve been peeing in the corner of the garage? I’ll bet they knew the whole time.

… Did they cover me up in this thing because I’m ugly?

Why am I being punished?

Sunday, October 31, 2010

Monster Mashing

The problem with posting on holidays is that I always feel compelled to put up something festive, inasmuch as I can be festive. (I try. Lord, how I try.) After searching for some old, Greek-derived word that means something like “great pumpkin” or “vampire fangs” or “slutty nurse,” I eventually found one that meets the requirement for Halloween but, in doing so, is awful. But it’s not me-awful. It’s etymology-awful. So go blame etymology.
teratogenesis (ter-ə-tə-JEN-ə-səs) — noun: the development of congenital malformations.
Why this? Etymologically speaking, the word means something like “the origin of monsters.” Yep — the technical, scientific term for deformity means “monster.” Our predecessors were not polite.
Technically, the term can also mean simply “marvel,” and even in English that relationship still exists. Our word monster comes from the Latin monere, “to warn” or “to advise,” which is related to monstrare, related to the English demonstrate and meaning “to point out” or “to show.” In both uses, there’s the sense of a thing being seen, which I guess would be a vital component in the process of labeling a thing a monster. I guess you’d have to see something before you could declare it a monster, right?
Teratogenesis, however, comes from the Greek root teras, also meaning “monster.” Aside from teratology (which could be interpreted to refer to either mythological beasts or biological ones), most of the English derivations of teras refer to the unfortunate, human kind of remarkables. We have teratogen (something that causes birth defects), teratoid (something exhibiting abnormal development), teratoma (a tumor frequenting the genitals) and even teratophilia (sexual attraction to monstrous or deformed people). In light of this legacy of what really amounts to defamation, let me salute our differently-shaped brethren, apologize for the technical term (and, I guess, this post) and finally wish readers of all shapes (standard and non-) a happy Halloween. 

Previous strange and wonderful words:

Tuesday, October 26, 2010

The Festive Threat

Halloween is probably the only time of year during which you can arrive home and find a bloody knife on your doorstep and think “Yay! Fun times!” and not “Wow, I guess someone has it out for me.”


And yes, a decorative bloody knife is still a bloody knife by several standards.

Thursday, September 9, 2010

Mr. Ghostface Goes to Prom

Spotted on Pico: A terrifying window display that suggests the killer from Scream dressing in drag to go to a rave.

scream costume

Still doesn’t unseat the Halloween costume I’m suggesting to anyone who will listen: Temple Gradin. Visualize it.

Saturday, October 31, 2009

Fleeing a Haunted House

I had a nightmare on Wednesday, after I’d spent a few hours Magic Erasering the walls of my old bedroom to the point that my fingertip started bleeding. This ended the cleaning session, as the blood negated much of the erasers’ magic. It also may have planted the seeds for the bad dream. The narrative is simple: Much as I had in real life, I was standing in an empty version of my old bedroom, staring at plain white walls and rubbing the eraser in circles until every muscle in my arm ached. Unlike the actual version of events, I soon noticed that my fingers had actually started to pass through the wall itself — then wrists and then elbows. Around the time my face would have entered the now permeable drywall, I woke up. I’m not sure if dream me’s panicked yelling translated to any noise in waking life.

It stuck with me, this awful little movie that my brain invented without my permission. The next day — my last ever at the old address — I kept thinking about it, especially when I was standing in front of some vast expanse of white, sponging and essentially setting myself up for a reenactment of “Wacky Wall Washing.” Dreams don’t necessarily mean anything, I say, but that doesn’t mean that random images flashing in the night can’t be considered in the context of what happens during the daylight. For example, the night before the dream I watched TCM’s showing of The Haunting — the good 1963 version with Julie Harris. I’d seen it before, but I think I enjoyed it more the second time through, possibly because part of me related to Eleanor’s simultaneous attraction and repulsion to Hill House. Eleanor feared it because it was populated with ghosts, and I had come to hate my house for its oppressive stench of nostalgia. (Not helping the haunted house movie comparisons: The fact that my last few days cleaning it involved dodging spiders of every conceivable variety as they literally came out of the woodwork, all while the usually windy weather caused a spectral slamming of all the doors inside. Cue string section’s jump scene score.) I never thought I’d come to hate the old house: I loved it for a long time, and I have a lot of nice memories there. However, most of those memories involve people who aren’t around anymore. Just existing inside those walls had become a little painful, especially walking from one room to the next and thinking “This is where this happened. That is where that happened.” And then there’s the fact that the house itself is falling apart. In addition to being impossible to keep clean, the wood and metal that make up the house itself are decaying, almost as if collective memories were condensing inside, dripping down the walls and rotting through the walls.


Although I’m happy at the new place, where I’ve been living for almost a week, I will still miss the old one. That house had character, as everyone who visited had noted. (I imagine now that these friends used character to mean “dust,” “an odd floorplan,” “mismatched paint,” “no apparent living room,” “hardwood floors that are rapidly softening.”) The house was more of a character than anyone who ever lived in it. The day before the move, I told Aly that I felt like it wouldn’t happen — somehow, it would end up that we had to stay, because the house itself wanted us there, because the house wasn’t done with us. Just the fact that I started imagining that the old place had agency is probably a sign that it was time to get out, but I think these thoughts are especially telling when considered alongside a dream in which the house itself absorbed me into the walls.

Too many movie characters who go traipsing about in haunted houses never get out in time. Instead of running out while the front door still opens, they go deeper, into gloomy basements or dusty attics where evil things live, as we all know. I suppose I should be happy that I’m out now, sitting in a new place where all the ghosts were presumably packed up by the previous tenant. It’s an inappropriately beautiful October 31, and as I write this my bedroom is lit by a late afternoon glow the likes of which I would have never seen from my desk in my old bedroom.

empty_bedroom2222

I don’t care if the sentient, villainous house shows up in dreams again, because at least I know now that I’ll be waking up surrounded by new, more trustworthy walls.

Saturday, January 26, 2008

The Calendar on Your Wall Is Ticking

Dina, to answer your question.

kami_drew1

This is Kami and I on Halloween in 2005, I think. I'm a Crazy 88 from Kill Bill, Kami is a flamingo. I'm stabbing her because that's what Crazy 88s do to waterfowl. I scanned this photo, which previously did not exist in digital form, because Kami recently emailed me with the below image.

schoolkids

This is Kami and I. I'm not sure when, but possibly in 2004 or 2005. She had been invited to a school-themed party in which attendees were expected to dress up like they went to a private school and then follow a class schedule that had people shifting from room to room. Flaming Dr. Peppers in the science lab, body shots in Sex Ed, drinks vaguely associated with historical figures in history. You get the idea. In all, the party worked pretty well. But Kami had the idea to dress up as exchange students and act like we didn't understand anything. Hence the awkward, vaguely foreign clothes.

Now you know Dina. World, you too.

Wednesday, October 31, 2007

Propane-Scented Halloween

As close to an actual jack-o'-lantern as the Back of the Cereal Box is willing to offer.


Hally Happoween.

Wednesday, October 25, 2006

The Kodos-o-Lantern

Last year, when pressed with the task of turning a pumpkin into a jack-o-lantern, I decided to fashion the face in the likeness of the scariest thing I could think of.


Yes, little Quincy Jones, the dog who thirsted for blood, made the cut. This year, I bought an even bigger pumpkin. We decided to have a mini-marathon of “Treehouse of Horror” and, thus, I made my pumpkin in honor of the tentacled aliens who so often appear in them — specifically Kodos and not Kang, because Kang is clearly inferior.

kodos-o-lantern 2

kodos-o-lantern
Not all that close, especially since it’s pretty hard to carve tentacles.


But I’m pleased with it. For the record, I was told I could not, in fact, call the jack-o-lantern “Kodos,” so we’ve taken to calling it “Miriam.”