Years ago, I posted here a simple question: “Why Don’t I Already Have a Tomy Hootbot?” At the time, I’d just learned that these robot owl… things were produced in the ’80s by Tomy, the Japanese corporation best known for those dinky handheld video games but also Giga Pudding (apparently). And yeah, it seemed like I should own a robot owl. Why shouldn’t I? So when this Canadian guy tried to Google around about the Tomy Hootbot he found, he ended up on that very post and consequently emailed me asking if I’d like to buy his Tomy Hootbot. It still seemed like I should own a robot owl, I guess. Again, why shouldn’t I?
And now here it is, on my dining room table:
The owl does more than just sit there, in case you’re wondering. Thirty-some years later, he still turns on and operates properly. It’s just that “proper operations” for this particular toy include none of the things you might expect from owls, robots, robot owls or any other product with a clear purpose. Observe:
Does it hoot?
No, it whistles shrilly at random intervals.
Does it screech?
No. (See previous answer)
Does it fly about the room?
No, but it shakes its sideflaps, producing a plastic-on-plastic clicking sound.
Does its neck swivel in a humorous fashion?
No, it turns on par with how most humans can turn their necks.
Does it prey on mice and other rodents?
No, I have just as many mice now as I did before I got the Tomy Hootbot.
What else does it do?
It clicks its toes against its pedestal.
Is that… something owls do?
I really don’t know. But I don’t think so. It’s certainly not something they’ve become famous for.
But it’s a robot. Does it, like, fire lasers from its eyes?
Its eyes glow red, but alas — so far, no optic lasers.
I heard owls are often associated with wisdom. Does the Tomy Hootbot seem wise to you?
No.
Are you at least glad that it was the Tomy Hootbot that you ended up getting as a result of this blog and not the Otamatone?
Yes, I suppose that is the bright side here.
So how has the Tomy Hootbot changed your life?
Well, I’ve thought a lot about who invented the Tomy Hootbot and what their intentions were. I wonder if they consider the Tomy Hootbot a triumph or a failure. I wonder if they have a closet full of them that they turn on all at once and if maybe the whistling and clicking becomes so loud that people passing on the street stop and wonder what the hell is going on in there. I also wonder if maybe the product’s beautiful design — and it does look amazing, all these years later — was the result of one person and it was another person’s job to plan out what the Tomy Hootbot would actually do, and the first person did a really good job and then the second person was like “What if it just that there and whistled and clicked?” And so the first person was all, “Um, those are two things that owls don’t do. I feel like your end of this project isn’t really on par with mine.” And then the second person started crying and mentioned how he’d been having problems at home because it’s tough paying for little Ayumi’s special school. “But we love her so much!” And the first person was all “What a Monday!”
Why do you keep saying the full name, “Tomy Hootbot”?
Manners.
Anything else?
Well, now no one can tell me that I don’t own a robot owl. That’s something no one will ever take away from me — unless they specifically steal my Tomy Hootbot.
Stay tuned for my upcoming post: “Why Don’t I Have a Hoverboard?”
Friday, February 21, 2014
Wednesday, February 19, 2014
What You Named the Happiest Dog in the World
One of the questions in my survey asked you all to choose the best possible name for the dog you see below.
You voted. Here are the results, in the best possible form — pie chart form. And can I just say right now that I am a little disappointed that so many of you picked names that I posted as obvious joke selections and not as legitimate, proper names for young dogs? Very disappointed.
Clearly, Waffles was the most popular choice, followed closely enough behind by the choice that I interpret as “Your options suck and I can do better.” The write in candidates, BTW, are as follows:
Previously: your best guesses about a haunted giraffe
You voted. Here are the results, in the best possible form — pie chart form. And can I just say right now that I am a little disappointed that so many of you picked names that I posted as obvious joke selections and not as legitimate, proper names for young dogs? Very disappointed.
Clearly, Waffles was the most popular choice, followed closely enough behind by the choice that I interpret as “Your options suck and I can do better.” The write in candidates, BTW, are as follows:
- Cromagnetismo
- Dogcat
- Banjo
- Professor Happy J. Zoom
- Zuberancy
- Ernie
- Davey
- Happy Dog
- Maxwell
- Stinkbutt
- Hobart
- Lady McPorkerton
- Sport, Tiger and Champ (in a single triple-entry that I shall accept as a single, three-barreled name).
Previously: your best guesses about a haunted giraffe
Read more:
all things verbal,
dogs,
names
Tuesday, February 18, 2014
Athena by Way of Kelly Kapowski
Apologies if the rest of the video game-savvy world already jumped on this one decades ago, but I just learned there’s a new bit of relevance for Captain N: The Game Master. And I’m always happy to bring up Captain N.
A two-sentence primer, in case your childhood Saturday mornings played out differently than mine did: Captain N was a cartoon series that sought to blend the universes of various NES-era video games by uniting them though a “real world” protagonist: Kevin Keene, a San Fernando Valley teen who gets beamed into a video game universe where he gets to interact with characters from the Mega Man, Kid Icarus and Castlevania franchises. Kevin, however, was an original creation, as was the sole female character: Princess Lana, the regent of Videoland.
Here’s the intro sequence, in case you’re confused (and you probably should be):
It’s Princess Lana that I’m interested in. Even though I’ve loved the Kid Icarus series since I was wee, I only recently realized how much Lana looks like the Kid Icarus damsel in distress, a green-haired goddess called Palutena, her name apparently a corruption of Parthenos, one of the appellations for Athena. I mention all this just because it’s weird to think of the princess from a video game-themed Saturday morning cartoon show in the context of the virgin war goddess for whom the Parthenon was built.
Check them out, side by side: Lana, old school Palu and Palu as she looks in the recent, revamped Kid Icarus:
Depsite the premise, Captain N actually pulled from a narrow selection video game universe. Princess Zelda was appearing on the Zelda cartoon, and Princess Toadstool on the Super Mario Bros. Super Show, and neither Castlevania nor Mega Man had leading ladies at the time. That leaves Kid Icarus, the only game with an all-powerful, female monarch on the throne. I mean, look at them. Doesn’t Princess Lana look like a ’90s-tastic riff on this Greek goddess character? The gaming website Flying Omelette even goes as far to point out that “[Lana] looks more like Palutena than Mega Man looked like Mega Man or Simon Belmont looked like Simon Belmont.” Surely, they’re also close enough that one could be the inspiration for the other, right?
Right, it turns out.
I did some poking around and asked the people who designed the Captain N characters. The show originated with the Australian artist Fil Barlow. His fantastic concept art actually had the newspaper deliverer from Paperboy as the lead, among other differences. Subsequent characters, Barlow explained to me, were designed by other artists. He suggested I ask lead character designer Marcello Vignali about the Palutena-Lana connection. Vignali’s response to my email:
Cartoons, previously:
A two-sentence primer, in case your childhood Saturday mornings played out differently than mine did: Captain N was a cartoon series that sought to blend the universes of various NES-era video games by uniting them though a “real world” protagonist: Kevin Keene, a San Fernando Valley teen who gets beamed into a video game universe where he gets to interact with characters from the Mega Man, Kid Icarus and Castlevania franchises. Kevin, however, was an original creation, as was the sole female character: Princess Lana, the regent of Videoland.
Here’s the intro sequence, in case you’re confused (and you probably should be):
It’s Princess Lana that I’m interested in. Even though I’ve loved the Kid Icarus series since I was wee, I only recently realized how much Lana looks like the Kid Icarus damsel in distress, a green-haired goddess called Palutena, her name apparently a corruption of Parthenos, one of the appellations for Athena. I mention all this just because it’s weird to think of the princess from a video game-themed Saturday morning cartoon show in the context of the virgin war goddess for whom the Parthenon was built.
Check them out, side by side: Lana, old school Palu and Palu as she looks in the recent, revamped Kid Icarus:
Depsite the premise, Captain N actually pulled from a narrow selection video game universe. Princess Zelda was appearing on the Zelda cartoon, and Princess Toadstool on the Super Mario Bros. Super Show, and neither Castlevania nor Mega Man had leading ladies at the time. That leaves Kid Icarus, the only game with an all-powerful, female monarch on the throne. I mean, look at them. Doesn’t Princess Lana look like a ’90s-tastic riff on this Greek goddess character? The gaming website Flying Omelette even goes as far to point out that “[Lana] looks more like Palutena than Mega Man looked like Mega Man or Simon Belmont looked like Simon Belmont.” Surely, they’re also close enough that one could be the inspiration for the other, right?
Right, it turns out.
I did some poking around and asked the people who designed the Captain N characters. The show originated with the Australian artist Fil Barlow. His fantastic concept art actually had the newspaper deliverer from Paperboy as the lead, among other differences. Subsequent characters, Barlow explained to me, were designed by other artists. He suggested I ask lead character designer Marcello Vignali about the Palutena-Lana connection. Vignali’s response to my email:
When we were working on Captain N, the Nintendo corporation gave us a bunch of 8-bit images of their characters. But, in some other cases they sent us some drawings or packaging art. I can't remember for sure if that was the case with Palutena, but from the look of her design that certainly was where her design came from. The similarity is too close to be a coincidence. Kudos to you!Not quite a 100-percent sure confirmation, but I’ll take it. And I’m happy to learn that I’m not just seeing things. There’s more relevance for this right now than there might be otherwise, because there’s a chance that Palutena might be playable in the new Smash Bros. game. It’s an unfounded rumor, if a readily believable one, and I’d like to think that it, if true, means Princess Lana isn’t just trapped in memories of the messy pop culture of the early ’90s. Some form of her is still hovering about, acting all empowered. One more note from Mr. Vignali, about the Captain N version of Metroid big bad Mother Brain:
A funny story. When we were designing Mother Brain, the Nintendo corporation didn't give us any art for it. Instead, they gave us a video game. Unfortunately, none of us were good enough to get to the Mother Brain level -- and the DIC animation studio didn't want to pay us artists to sit around playing a video game. So, one of the secretaries brought in her son and he got us to the Mother Brain level. We grabbed some screen shots and were able to complete the design.Ha. In the end, Mother Brain ended up a creature like none other on Saturday morning TV, even being voiced by Levi Stubbs, the lead singer for The Four Tops and also the voice of Audrey II in Little Shop of Horrors. Mother Brain, by the way, was also announced as appearing in the new Smash Bros. game, and I feel unusually catered to — like someone is using my memories of back then to help determine what’s coming back now.
Cartoons, previously:
Read more:
captain n,
cartoons,
i swear i'm visually literate,
kid icarus,
nintendo,
video games
Monday, February 17, 2014
An Important Reminder About Typographical Errors
One letter can do a lot.
Seriously amateur graphic design, previously:
Seriously amateur graphic design, previously:
Read more:
all things verbal,
comics,
seriously amateur graphic design,
superheroes
Sunday, February 16, 2014
Camp Crystal Lake by Way of the Mushroom Kingdom
In case there’s ever any wonder if a Super Mario game ever made a reference to the Friday the 13th movies, I present a minor enemy from Super Mario Land 2: J Son, an ambulatory hockey mask with a dagger stabbed into it.
“J Son.” Get it?
Because what are your Nintendo-produced, hop-and-bop video games without a riff on an undead serial killer with a nasty Oedipus complex?
Super Mario obscurity, previously:
![]() | |
|
Because what are your Nintendo-produced, hop-and-bop video games without a riff on an undead serial killer with a nasty Oedipus complex?
Super Mario obscurity, previously:
Read more:
friday the 13th,
horror movies,
nintendo,
super mario bros.,
video games
Friday, February 14, 2014
Love Is Like a Stove / Burns You When It’s Hot
I know I already squeaked in one Valentine’s post, just at the edge of midnight, but I want to clarify my stance on love. As my dumb little nostalgia-nerdy sex joke earlier today demonstrated, I don’t like Valentine’s Day. However, I’m not against love — the emotion this holiday strives for but can only produce the cheap, knock-off, CVS version of. And if today can be for anything, I think it should be for earnest representations of love.
Like me, many ’80s children probably know the song “Love Hurts,” as performed by the rock band Nazareth and as featured in an especially persistent Gatorade commercial. I’d honestly not thought of the song as much besides a Gatorade jingle, until yesterday, when Morning Becomes Eclectic interviewed Spike Jonez, Karen O and Her production designer K.K. Barrett. The three were there to play “The Moon Song,” the Oscar-nominated song from Her, but while in the KCRW studio, they each named their favorite love song. Jonez picked Bob Dylan’s “You’re Gonna Make Me Lonesome When You Go,” While O picked Kitty Lester’s “Love Letters,” noting its beautifully warm melancholy. Only Barrett picked a song I didn’t know, however: a prior version of “Love Hurts,” performed by Emmylou Harris and Gram Parsons.
An analogy:
It felt strange for a song that I’d heard so many times and found meaningless to be given a whole new spirit when sung in a quiet, wistful country style — sung like they understand what they’re saying. It moved me, and if you are like me and spending a quiet night in on this February 14, then perhaps it will move you too.
Until this version, I’ve never noticed how much of a Roy Orbison quality the song has. (And yes, he recorded a version as well.) I’ve also noticed one lyrical difference. Whereas Emmylou and Gram sing “Love is like a stove / Burns you when it’s hot,” Nazareth switches it to “Love is like a flame,” I’d guess to avoid having a rock bank singing about an object as quaint and ordinary as a stove. It’s an idiotic substitution, of course, because flames are always hot. That, I guess, is a good example of how the meaning can get drained out things.
Here’s to the back half of this month.
Like me, many ’80s children probably know the song “Love Hurts,” as performed by the rock band Nazareth and as featured in an especially persistent Gatorade commercial. I’d honestly not thought of the song as much besides a Gatorade jingle, until yesterday, when Morning Becomes Eclectic interviewed Spike Jonez, Karen O and Her production designer K.K. Barrett. The three were there to play “The Moon Song,” the Oscar-nominated song from Her, but while in the KCRW studio, they each named their favorite love song. Jonez picked Bob Dylan’s “You’re Gonna Make Me Lonesome When You Go,” While O picked Kitty Lester’s “Love Letters,” noting its beautifully warm melancholy. Only Barrett picked a song I didn’t know, however: a prior version of “Love Hurts,” performed by Emmylou Harris and Gram Parsons.
An analogy:
the way Valentine’s makes me feel : “real love” ::
Nazareth’s “Love Hurts” : this version
It felt strange for a song that I’d heard so many times and found meaningless to be given a whole new spirit when sung in a quiet, wistful country style — sung like they understand what they’re saying. It moved me, and if you are like me and spending a quiet night in on this February 14, then perhaps it will move you too.
Until this version, I’ve never noticed how much of a Roy Orbison quality the song has. (And yes, he recorded a version as well.) I’ve also noticed one lyrical difference. Whereas Emmylou and Gram sing “Love is like a stove / Burns you when it’s hot,” Nazareth switches it to “Love is like a flame,” I’d guess to avoid having a rock bank singing about an object as quaint and ordinary as a stove. It’s an idiotic substitution, of course, because flames are always hot. That, I guess, is a good example of how the meaning can get drained out things.
Here’s to the back half of this month.
Read more:
music,
overanalyzing lyrics,
valentine's
Link Submission
Fingers crossed, this will be the limit of my contribution to Valentine’s Day 2014.
Because butts, because the war of love, because cheerful appropriation of nostalgic childhood images, because this stupid holiday for idiots.
Because butts, because the war of love, because cheerful appropriation of nostalgic childhood images, because this stupid holiday for idiots.
Read more:
seriously amateur graphic design,
valentine's
Subscribe to:
Posts (Atom)







