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Thursday, November 29, 2007

For Better — But Worse

Last year, I became taken with the 60s parody folk rock duo Allen & Grier, and in doing so felt compelled to pick apart their song "Celebrities Cake Walk," which namedrops a ton of famous people who are now either dead or considerably less famous. I blogged about it, and in the process of trying to identify each of the once-famous people, I came to Mae Busch's IMDb filmography — a list of films and roles that should rightly make you laugh and then feel bad.


Though the below list appeared in the initial blog entry on "Celebrities Cake Walk," I stumbled across it recently and thought I should re-post it on its own.
  • Mable and Fatty's Married Life
  • Ambrose's Sour Grapes (as "second twin")
  • Beating Hearts and Carpets
  • A Human Hound's Triumph
  • For Better — But Worse
  • Fatty and the Broadway Star (as "actress")
  • Wife and Auto Trouble (as "a speedy stenographer")
  • A Bathhouse Blunder (as "swimming instructor")
  • The Folly of Fanchette (as "Mrs. Rayburg")
  • The Love Charm (as "Hattie Nast")
  • Foolish Wives (as "Princess Vera Petchnikoff")
  • Brothers Under the Skin (as "Flo Bulger")
  • The Shooting of Dan McGrew (as "Flo Dupont")
  • Nellie, the Beautiful Cloak Model (as "Polly Joy")
  • Flaming Love (as "Sal Flood")
  • Love 'Em and Weep (as "old flame")
  • San Francisco Nights (as "Flo")
  • Chickens Come Home (as "Ollie's blackmailer")
  • The Man Called Back (as "Rosie")
  • Doctor X (as "Cathouse Madam")
  • Them Thar Hills (as "Mrs. Hall")
  • Tit for Tat (as "grocer's wife")
  • The Amazing Exploits of the Clutching Hand (as "Mrs. Paul Gironda")
  • Prison Farm (as "Trixie")
  • Women Without Names (as "Rose")
  • The Bride Wore Boots (as "woman")

Wednesday, November 28, 2007

Leave the Limbs You've Lost

Occasionally, editing news allows you access to a certain bit of trivia that you just know will come in handy one day. I've written about it before and I'm always happy to be reminded of it. Last night, for a news story, I had to look into whether carrying a ninja throwing star could constitute possession of a concealed weapon and, therefore, a felony charge. It can, apparently, depending on the circumstances. However, in looking into the California Penal Code on the subject, I was introduced to a whole list of what I can only interpret as miscellaneous weapons included alongside throwing stars — or shurikens, as the code correctly identifies them — which are surely listed in the code because some lunatic, somewhere, was at some point involved in an incident that involved one of these bizarre utensils for hurting somebody else.

The list, condensed to bullet points-form:
  • any cane gun or wallet gun
  • any ammunition which contains or consists of any flechette dart
  • ballistic knife (which I'd never heard of before but sounds utterly useless)
  • any multiburst trigger activator
  • any nunchaku
  • any short-barreled shotgun or short-barreled rifle
  • any metal knuckles
  • any belt buckle knife (Read more at belt-buckle-knife.com!
  • any leaded cane
  • any zip gun
  • any shuriken
  • any unconventional pistol (which seems like a tragic catch-all that could have developed into a wonderfully detailed list of obscure handguns)
  • any lipstick case knife (!)
  • any cane sword
  • any shobi-zue (a staff or rod concealing a knife and which is apparently different from the aforementioned cane sword)
  • any air gauge knife (not a knife employing some kind of air pressure mechanism to kill, but just a knife disguised as an air gauge… because such a thing apparently exists)
  • any writing pen knife
  • any metal military practice hand grenade or metal replica hand grenade
  • or any instrument or weapon of the kind commonly known as a blackjack, slungshot, billy, sandclub, sap, or sandbag. (or, as it's known to me, a whack-bonk)
Highlights: the slungshot, of course and the lipstick case knife, because the incident inspiring that note in the penal code must have been amazing.

A minus: nothing about boomerangs. (Or is that a plus, given my upcoming heist schemes?)

She Forgot "Tired"

Way late now, but nonetheless worth a post. Meg H. of Meg H. — The Blog! fame and her little friend, whose name is also Meg, came for a visit to the Indy a few weeks back, and though the office was finishing up the behemoth Best Of issue and therefore beaten-down as all get-out, I did what I could to give them a tour. In all honesty, I failed as a guide. I was pretty frazzled myself and was running all over the place more than usual. However, as a thank-you note-plus-homework assignment, Big Meg had Little Meg write up her own newspaper describing what she learned in the tour. I finally brought it home and scanned it. It's really only viewable in full-size form and it's entirely worth the effort it will take to click this hyperlink. For those that need further incentive, here's a selection.


Pay special attention to the part I highlighted. For what it's worth, she nailed it — both in her description of me and of the office itself.

Tuesday, November 27, 2007

The Dandelion Who Could, Part Two

Spencer eagerly pointed out that the pot of dandelions that normally does nothing but makes leaves that quickly turn brown had sprouted another puff over the Thanksgiving holiday. You might recall how heralded the previous freakishly tall blossom. This time, the plant outdid itself.

A daylight shot from below:

tall_dandelion3

The long stem in all its curvy glory:

tall_dandelion

The tall dandelion situated next to a Lego person to demonstrate relative size:

tall_dandelion2

And one final shot, with a detail of the Lego person, in case you forgot what one looks like:

tall_dandelion5

Please do not ask why I, at age twenty-five and no longer living with my parents, had access to a Lego person. Please do not ask why I only have the one and no actual Lego blocks. And finally, please do not ask why the one Lego person I have is an overly made-up farm girl with pigtails.

Thursday, November 22, 2007

Unseen California

NOTE: Though I'm posting this late on Thursday night, I wrote this at about 3 p.m. on Wednesday, when I was heading up north for Thanksgiving.

My train—the Pacific Starlight, or something to that effect—just passed another headed the opposite direction, resulting on one of those momentary seizures in which the background that has steadily rolled by for the last hour is suddenly replaced by screaming metal and glass. Not that I knew straight off that it was another train, mind you. The passing trains have stunned this railroad novice each and every time they passed. Once I realized what exactly that gray blur was, I then had to contend with being reminded that I was, in fact, riding on a train and not just somehow flying through the little-seen parts of California I'd been staring at — trees and beaches and all manner of backgrounds not visible from the 101.

Anyway, the passing seems as good a time as any to write about my first-ever cross-California train trip.

Most of those whom I've told of my Thanksgiving plans have shuddered. For them, train time is bad time, a means of making an already tedious commute even longer. "Six hours on a train?" they ask. "I'd rather just wait in traffic." For me, however, this railroad adventure has already paid for itself. First off, I love trains, even though I haven't ridden any with any frequency since the D.A.C.K. days. Not only do I get to escape the horror that is Thanksgiving traffic on the 101, but I also get valuable downtime to write whatever I please. (Technically, I'm supposed to be writing a feature for the Indy, but I'm currently deprived of both internet access and cell phone reception, and I'm far to starved for a distraction-free environment to let this opportunity pass by.) And as this Amtrak iron horse slowly chugs toward Salinas, I get a chance to reflect on the strangeness of having lived in California all my life, mostly, and yet never having seen what I'm seeing now. If it's not altogether new new, then I'm just now seeing it from the unique railway perspective — the backs of what faces the 101, for example, or the piles of gravel and debris that the state shoves away from the view of highway motorists. For every pile of rubble, however, there's also a pristine stretch of California coastline that's seemingly evaded being marred by human hands — an immaculate slope of sandy hillside with only the occasional deer or fox footprints to leave an indication that anything had ever been there. I'd never seen Vandenberg Village until today, and I'd only once ever seen the Hollister Ranch. (And even that time, it was through some savvy Veronica Marsing on Spencer's part.) I'm thrilled at the prospect of seeing how, exactly, the train manages the Cuesta Grade, but being a train newbie, I'm no less stoked on just hearing the train blare its whistle — I'm hearing it from the inside for the first time, don't forget — or the fact that I'm on my fourth gin and tonic but nonetheless working my way home for the holiday.

And seriously — this train couldn't have a more motley assortment of passengers. The very old, the very young, the driver's license-deprived, the poor, the college freshmen, the environmental, the just plain mental, and every other conceivable classification of public transportation user. I can't decide whether I'm more put off by my 300-pound seatmate, the guy whose rowing team t-shirt would seem to contradict any of the physical attributes people usually associate with the sport, or the high school-aged lesbian couple behind us, who refuses to come up for air for fear that stopping kissing might allow somebody to mistake them for not-lesbians. None of these strangers, however, can hold a candle to the two I sat with in the dining car for my fancy people lunch. Sitting beside each other, opposite me and my issue of Juxtapoz in the booth, were a guy who manages a construction company in Santa Barbara and who went to a Halloween party in Los Angeles held by his "adult industry" brother and then another guy who made Dwight Schrute look like the definition of cool. The former wanted to talk more about how the porn industry makes for easy money. The latter wanted to talk about nothing but missile launches at Vandenberg and why he didn't "know much about the adult industry." (I kept ordering drinks to go with my gardenburger.)

As I finish this, I'm now in San Luis Obispo, parked, so to speak, waiting for the train to chug toward Paso Robles and looking out at a lot full of the parked cars of Thanksgiving out-of-towners. I have three more hours ahead of me before April picks me up in Salinas. Lord knows what I will do until then.

Wednesday, November 21, 2007

And the Villain Still Pursues Her

Below is the image that I found to accompany Starshine's column this week, which concerns sex ed. I find it rather fitting.

and the villain still pursues her

It's old enough that the copyright has lapsed, so it's all hunky-dory with the legal eagles. Hurray for strange old-timey Victorian cartoons illustrated for God-knows-what, God-knows-why.

Tuesday, November 20, 2007

Not So Grrrreat

A text from Spencer-on-a-train: "Did you know that your initials, when read as a word, sound remarkably like the slogan of that Sugar Smacks frog?"