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Showing posts with label pushing daisies. Show all posts
Showing posts with label pushing daisies. Show all posts

Tuesday, September 8, 2009

Naming Conventions in Pushing Daisies

Consider this the spiritual successor to the “Naming Conventions in Arrested Development post — only for a show that even fewer people watched and received only about half as many episodes.


Viewer-deprived or not, Pushing Daisies had a lot of fun with names for the various characters who populated the city of Coeur d’Coeurs. For example, quite a few characters have names that reference food — Emerson Cod and Olive Snook foremost among them. More often, names involve some kind of doubling, Coeur d’Coeurs being one of the most obvious instances. (And it’s not limited to people, either: There’s the Boutique Travel Travel Boutique and the Darling Mermaid Darlings.)

The long list of “repetition names” begins, of course, with Lonely Tourist Charlotte Charles, better known to series protagonist Ned as Chuck. Charlotte is named in honor of her father, Charles Charles, who, like Chuck herself, accomplishes the difficult feat of returning to life after biting the big one. It would seem that Charlotte Charles would be the only one of the show’s lead characters to have a doubled name — after all, we don’t know Ned’s last name, so he doesn’t get to be on any list — but both of Chuck’s aunts, Lily Charles and Vivian Charles, have repetition in their first names: “Lily” is damn near the same syllable twice in a row, and the first two syllables of “Vivian” work in much the same way. The rest of this list is populated by minor characters with double initials, but there’s enough of them that they should have plenty to talk about. Starting with the pilot and moving forward toward the show’s ignominious end, we have Boutique Travel Travel Boutuque employee Deedee Duffield (whose double initials are reflected in her first name, which I think could count for two instances of doubling, which might actually be quadrupling), herbalist Alfredo Aldarisio, Asian redneck Wilfred Woodruff, Wish-a-Wish psychopath Madeline McLean, cosmetics magnate Betty Bee, Emerson’s mom Callista Cod, Cod customer Veronica Villanueva, villainous mercenary Dwight Dixon, Norwegian Ned analogue Nils Nilsen, escaped prisoner Buster Bustamante, department store owner Dick Dicker, his sister Debbie Dicker, doomed window decorator Erin Embry, more fortunate window decorator’s assistant Denny Downs, and shark wrangler Galveston Gus. These people seem like they’d be just at home in Superman’s Metropolis as they would in Coeur d’Coeurs.

The episode “Pigeon” features a different sort of doubling in Elsa and her daughter Elsita, both of whom are played by the same actress, the very appealing Jayma Mays, who’s now on Glee and whose own name features an internal duplication of vowel sounds.

The episode “Bitches” centers around polygamist dog breeder Harold Hundin and his wives Heather, Hillary, Hallie and Simone — the last of which seems to be written as an outsider. (She also happens to be the only “sister-wife” to appear in subsequent episodes.) When it comes to polygamists, double initials seem like small potatoes, as far as repetition goes. And indeed, in this case, there’s plenty else interesting going on: Hundin is German for “bitch,” which is appropriate in both of the ways we use the word in English. Simone is especially interesting to me in that she is very good at giving orders and making people obey them without question. She barks “Sit!” and often everyone on the room takes a seat. In that sense, I’m betting that that her creators had the titular dictator of the game Simon Says in mind when they dreamed her up.

“Bitches” also features Ramsfeld Snuppy, a cold-hearted owner of a pet store chain. It would seem that he got his name from Snuppy the Cloned Puppy — a real-life lab-created pooch that I was briefly obsessed with. As far as being a dog that came to life as the result of a lot of human tinkering, the non-fictional Snuppy has a bit in common with Bubblegum, a dog who also debuts in “Bitches” and who is a prized crossbreed of a Border Collie, a Labrador Retriever, a Jack Russell Terrier, and a Poodle — or a Colladorrussellapoo as the episode calls her.

In addition be very nearly having a double initial, olfactory scientist Napoleon LeNez,the villain in the episode “Smell of Success,” is notable in that his last name translates from French to “the nose.”

The episode “Bitter Sweets” introduces two one-off characters whose names manage to feature doubling and a food reference: Billy Balsam (double initials) and his sister Dilly Balsam (a rhyming double for her brother as well as a double reference to flavors).

The first murder victim in the episode “Bzzzzzzzzz!” — the title of which is a joke about business, bees, and the business of bees — is saleswoman Kentucky Fitz, whose name sounds a lot like the Kentucky Fizz cocktail. I’m not sure what significance of the similarity might be, nor can I hazard a guess why how her husband, Dusty Fitz, got his name.

The villain in the episode “Frescorts,” which details shady goings-on behind a business that supplies the lonely with friend escorts, is Buddy Amicus. His last name is Latin for “friend,” making his name essentially “Friend Friend.”

“Frescorts” also features a very minor character named Missy Scrivner. Despite being relatively unimportant to the overarching series storyline, I think Missy Scrivner exemplifies the type of clever character naming I enjoy so much, as her name basically states what she does in terms of the storyline. She works at one of the publishing houses that declines Emerson’s Li’l Gum Shoe manuscript. She also wears so much orthodontic headgear that she can’t eat without spilling. One of these spills smudges her writing and, as a result, she ends up sending a rejection letter to a C. Cod instead of E. Cod, thus reinvolving Emerson’s mother Callista with his life. With the thought in mind that Scrivner is just one letter off from the word scrivener, “a scribe,” it seems reasonable that Missy was chosen because it’s just one letter off from messy. Missy Scrivner is messy writing. (Though this connection makes me wonder what life is like for the actress Missi Pyle, who appears in the episode “Bzzzzzzzzz!” and whose name, by the same logic, essentially means “messy pile.” See where mean-spirited playground logic gets me?)

The nun-centric episode “Bad Habits” features a chef named Hansel von Getz, whose name sounds like a reference to Hansel and Gretel. I feel like this guess is helped along a little by the fact that he’s in love with one of the nuns, thus making him a Hansel strongly associated with a sister, if not a biological one.

As I mentioned in a previous post, much of the episode “The Legend of Merle McQuoddy” is an extended reference to Pete’s Dragon, including the names of the episode’s central family, Nora, Merle and Elliot McQuoddy.

Just as Missy Scrivner’s name hints at how she’ll figure into the plot, so too does Emerson’s conwoman ex-wife, Lila Robinson, who proceeds to lie and rob throughout the episode — and presumably everywhere else she goes, too.

The final episode, “Kerplunk,” give Lily and Vivian a rival set of synchronized swimming sisters in Coral and Blanche Ramora. Blache becomes shark food fairly quickly into the episode, but Coral sticks around to cause trouble — and would have continued to do so had Pushing Daisies continued. The sisters likely take their last name from the remora fish, which gets sustenance by affixing its via a sucker to the bottom of a larger ocean-going animal — such as a shark — and eating bits of food that dribble from that larger animal’s mouth. And this is appropriate, since the episode revolves around a shark and the various aquatic sideshows that piggybacked on the success of the sharks how. Also, Coral has obvious water associations. Blanche is a bit tougher, but I suspect that it could result from the fact that blanching is a cooking technique involving cooking food in boiling water and then plunging them into ice water. And Blanche does get iced in the water.

Pigby the pig, of course, is named by Olive after Digby the dog. Olive is probably very well aware of this fact, so its a conscious doubling. However, it’s worth noting that Jim Dale, the actor who narrates the show, previously starred in the 1973 film Digby, the Biggest Dog in the World. I have yet to read any confirmation that the movie inspired the name of the Pushing Daisies dog, but it seems meaningful regardless.

Finally, the show has a curious preponderance of male characters with names that seem to be some sort of sex pun. Among them: Willie Gerkin, Shane Trickle, Bryce Von Deenis, and Randy Mann, with that last one being the only one out of the group that appears in more than one episode. I can’t not mention that Bryce Von Deenis was played by an actor named Googy Gress. And that just can’t go unmentioned in a post about notable names.

I decided not to spend time on the more obvious names — like La Di Ting (who’s a lady) and Colonel Likkin (who’s famous for his chicken recipe) — in favor of the subtler ones. The jury of me is still out on the names of characters like Amelia Stingwell (who doesn’t really sting anyone), Eleanor Swindle (who doesn’t steal anything), Coco Juniper (who sounds like a drag queen but isn’t) and Ned’s half-bothers Maurice and Ralston, whose names seem like they must be a reference to something, though I’m not sure what.


And that’s all I got. Consider this my belated tribute to a great show that never got a chance to flourish the way it should have. Pushing Daisies, may you too one day come back to life in some form.

Thursday, June 4, 2009

Candle on the Water

I’m twenty-seven now.

This number has left me at a loss for what I should write. I suppose I could generate something based off what Wikipedia claims are the various significant properties of the number. Or I could once again note the strangeness of this day being the birthday of not only myself but also Angelina Jolie and Horatio Sanz, a fact that would seem to render all birth date-based horoscopic predictions irrelevant. Or I could attempt to count the ways in the past year has helped me grow and change a person — a process that might render this particular blog post shorter than my usual ones.

I’m not going to do any of that — at least not in the early hours of my twenty-seventh year as a person. No, I’ll just note the strange, inauspicious way this new year began for me: Unable overcome the limits of iTunes and make the newest, long-awaited episode of the now-cancelled Pushing Daisies play, I had no choice but to turn back to the previous episode, which I would have watched before Christmas. I didn’t realize it at the time, but this episode, “The Legend of Merle McQuoddy,” happens to be one extended homage to a childhood VHS favorite, the 1977 Disney film Pete’s Dragon. It’s true. Not only do most of the characters introduced in this episode owe their names to Pete’s Dragon in one way or another, but also significant plot points are drawn from the movie as well. The most direct reference of all, however, would be that Kristen Chenowith’s character — Olive Snook, who may prove to be the part of Pushing Daisies that I’ll miss most — sings a brief part of the love theme from Pete’s Dragon: “Candle on the Water.”

I have absolutely no recollection of hearing this song as a child. Perhaps I eschewed ballads event then. But, also, perhaps twenty-seven years of being a person have taught me to find some meaning in Helen Reddy’s words. Is that what getting progressively older is? Finding Helen Reddy significant?



I wonder if I will have once again forgotten about Pete’s Dragon when I’m twenty-eight. I wonder if the rest of June 4 will turn to, in fact, be a Brazzle Dazzle Day.

Wednesday, November 26, 2008

Circle for Cry?

I am watching Pushing Daisies and trying to wrap my head around the supposed Latin phrase orbis pro vox. Should this sound familiar? Should it be anything? Google is little help and Idiot Robot Translations puts the phrase into English as “circle for cry.” My high school-and-a-little-bit-of-college Latin is way rusty, however. Orbis can be other rounds things, If I remember correctly: a ring, an orb, a globe, maybe? Maybe the globe? The not-so-small world? Vox is usually “voice,” but can also the metaphorical use of “voice,” like a voice in government or an electoral voice.

Also: I’m apparently not the only one who’s curious about this.

Also also: That was Crystal from Dead Like Me eating at The Pie Hole, right?

Friday, November 21, 2008

Plucking Daisies

If nothing else, Bryan Fuller is consistent — consistently good and consistently cancelled, in that exact combination. I suppose I shouldn’t be surprised that his Pushing Daisies would suffer the same fate as the series he created previously, Dead Like Me and Wonderfalls, even if Daisies had the potential to appeal to the widest range of mainstream broadcast TV-watching 18- to 45-year-olds.

It didn’t, it turns out.


chuck, ned — you may stop smiling

And now Daisies has been effectively canceled — not even given the honor of being shot at point blank range but instead just left to wither away into nothing as the remaining filmed but as-of-yet-unaired episodes trickle out here and there, probably on Friday nights, probably in August, probably opposite whatever other station’s programming blocks ABC had determined to be unbeatable. Yes, the whimsical and lighthearted show about death — and not only death but also the strange liminal space between life and death — now itself exists in a vague, undefined way: effectively doomed but suspended from passing on for the moment, showing false flickers of life here and there, being and not being at the same time. It’s not all unlike series protagonist Charlotte Charles (a.k.a. Chuck, a.k.a. Lonely Tourist Charlotte Charles, a.k.a. the formerly dead Charlotte Charles), who herself was always only a fingertip’s touch away from a dirt nap and whose “reboot” could theoretically have rendered her sort-of alive but maybe not quite so much alive as you and me.

Perhaps we will never find out exactly how alive Chuck really was, especially if that was a question Fuller had planned to answer sometime around season three.

Not two days ago, I thought about writing something here about the show and its many lingering mysteries. Watching Wednesday’s episode, Roommate Aly questioned not whether Chuck qualified as a zombie — which she probably doesn’t, I’ve decided — but the nature of Chuck’s relationship with her two aunts — two women who, we found out recently, are actually only one-half Chuck’s aunts. It almost seems like a moot point now, but I’ll suppose that I’ll write out anyway, in tribute to a show that at least caught my attention enough that it make my brain muscle work.


the loveliest crime against god ever on network tv

At the show’s start, we learn that Chuck was raised by her spinster aunts, Lily and Vivian, after her father, Charles Charles, passed away. (This happened as a result of Ned No Last Name’s ability to revive the dead but only at the expense of another life of approximate value, in true algebraic style. But that’s nether here nor there as far as this conversation goes.) As the show progressed, however, we learned that Aunt Lily was, in fact, Mom Lily, and that she gave birth to Chuck in a convent in an effort to hide Chuck’s existence from Vivian. Lily did this because her lover — and Chuck’s father — happened to be Vivian’s fiance. Lily has never told Vivian about the affair and ensuing pregnancy. At the time of his death, however, Chuck’s father was not living with or apparently still seeing Vivian, as far as I recall, so it’s presumable that the couple had a falling out at some point, likely because he had fathered a child with his supposed lady love’s twin sister and he consequently felt guilty. (If nothing else, he had to explain that Baby Chuck came from somewhere.) Nonetheless, when Charles Charles kicked the bucket, Chuck ended up living with Lily and Vivian, whom she was told were her aunts. This seems strange, either in manner of a glaring plothole or the kind of thing that a detail-oriented show like Pushing Daisies would have eventually addressed. (I hope it’s the latter. And I hope the remained seven episodes touch on it in some way.) I mean, even if a guy has no living relatives, the logical choice for a guardian for his kid in the event of his untimely passing shouldn’t necessarily be his ex-girlfriend and her sister, especially when the latter of whom shares no public relationship with him. It makes for a weird conversation. I mean, Lily has good reason to care for Chuck, but why should Vivian want to house her ex-boyfriend’s child by a never-named and apparently vanished mother?

But as I said before, the point seems less worthy of pressing at the moment.