But it occurred to me today that even before the first eulogy of a review hit, I already had a great reason to skip this film: I walked out of Man of Steel.
Before you react to that statement, you should know that I’d never walked out of a film before. I saw Ghost Dad in theaters. I was Rock-a-Doodle. I even sat through a screening of Joe Dirt that was free, therefore meaning that I could have left at any time without incurring a financial loss. Also know that I love DC superheroes. I also like your Spider-Men and your X-People, but I’ve always cared more about Batman and Wonder Woman and (to a lesser extent) Superman.
I, however, did not enjoy Man of Steel, which was directed by Zack Snyder, who is also directing Batman v Superman. I didn’t hate it; no, that would be a strong reaction. I was simply bored by it. I saw it when I lived in Los Feliz, walking distance from the Vista Theater, and I’d gone because I’d gotten home late from work on this particular night but just in time to trot over and slip into a seat in the back row. “Surely this will be more fun than sitting in my apartment alone,” I could have said, but didn’t, and good because it would have been a lie.
It’s also important that you understand that I saw the vast majority of Man of Steel. I really tried. But near the end of the film — or, I suppose, what I’m imagining was near the end of the film — there was a scene that made me literally throw up my hands in exasperation.
It was the scene with Jenny. Fucking Jenny.
Jenny Jurwich (Rebecca Butler), in case you’ve forgotten, is the movie’s kinda-sorta Jimmy Olsen character — an intern at the Daily Planet about whom we know nothing and about which we’re given much reason to care. You could argue that the audience isn’t given reason to care for or about many of the film’s characters, but at the very least most of them are versions of familiar characters we’ve cared about in other forms. Amy Adams, for example, is playing this kinda-sorta version of Lois Lane that never feels quite right, but at the very least we know she’s Lois. Jenny, however, is no one. And during the film’s cusp-of-the-apocalypse scene, she somehow gets trapped beneath rubble.
I’m foggy about the circumstances of her extrication, but I think it played out something like this: Perry White (Laurence Fishburne) is all like “No! Jenny! My intern! I have always loved you!” And Jenny is all “[SCREAM]” and then the residents of Metropolis are all “No! We have to save Jenny! Free Jenny!” And they band together to pull her out and the city rejoices because they deeply love Jenny for some reason. I’m probably exaggerating, but I feel like the scene lasted about twenty minutes, at which point I asked myself, “Wait, who the fuck is this person we’re supposed to care about?” And then I realized I didn’t care if Jenny turns out to be Doomsday in disguise. I didn’t care what happened to her. She only existed to get trapped in rubble and briefly become the focus of a dramatic scene. I didn’t care what happened to any of the characters, really.
I just wanted to leave, so I did. I got home and read the ending on Wikipedia, popped open a bottle of wine and watched Adventure Time, which is a great show that tells its stories in tidy, ten-minute chunks, but which Zack Snyder probably wouldn’t like because ten minutes is not longer than two hours and also it’s colorful and also Jenny the Fucking Intern isn’t a character.
According to IMDb, Rebecca Butler is reprising the role of Jenny in Batman v Superman. I’m honestly unsure if I will have the honor of seeing her revisit the role that made her famous. But yeah, I’m faced with the odd situation of there being a big-budget Batman movie about to hit theaters and I’m not the least bit interested in going to see it.
Maybe Suicide Squad will be good?